Craigieburn line Please check current timetables with Metro Trains Melbourne before travelling. Timetable data from Public Transport Victoria GTFS data feed. CRAIGIEBURN – Craigieburn train route by PTV Metropolitan Trains in Melbourne. Glenbervie railway station is located on the Craigieburn line in Victoria, Australia. It serves the ^ Craigieburn Line timetable Public Transport Victoria; ^ Route Moonee Ponds – Niddrie timetable Public Transport Victoria .
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Motor Inn Annuello turnoff Apollo Bay: Hospital to Ballarat Ballarat: Hospital to Warrnambool Ballarat: Latrobe University Retreat Lnie Bendigo: Latrobe University Sharon St Bermagui: Motor Inn, Lamont Street Bermagui: Opposite Service Station Bullarto to Woodend: Bus Stop, craigifburn Level Crossing Cranbourne: Bus Stop, Albert St Creswick: Punt Rd Darnum Dartmoor Daylesford: Coach Stop Euston Everton: Opposite General Store Everton: Opposite General Store Fairhaven Finley: Railway Terrace Geelong Station: Westpac Bank, Malop St Geelong: Mechanics Institute Hall, Great Western: Boat Hire, The Esplanade Inverloch: Lakes Caravilla Caravan Park Kalimna: Village Green, Commercial Rd Koroit: Village Green, North St Koroit: Police Station Lakes Entrance: Johnson Street, west side of Pearson St Maffra: Sutton Road Mathoura Meeniyan: Midland Hwy and Mill St Mortlake: Old Princes Hwy Morwell: Marma St near toilet block Murtoa: General Store Nowa Nowa: From Adelaide Pinnaroo SA: To Adelaide Pinnaroo SA: Newsagency Rushworth Rutherglen Sale Station: Bus Stop, Wyndham St Shepparton: Goulburn Valley Hospital Shepparton: Shell Service Station Spring Creek: Bendigo line temporary timetable Jan.
Coaches replace Gippsland trains until 13 Jan.
Swan Hill and Echuca lines’ temporary timetable Jan.
Visit our website and learn more about AS standards. AS Bridge design – Design loads [Standards Australia] on Amazon. com. *FREE* shipping on qualifying offers. Provides minimum design loads. AS , Design Loads, sets out the minimum design loads, forces and load effect for road, railway, pedestrian and bicycle bridges and other.
Skip to ws content. Log In Sign Up. Review of Australian standard AS Bridge design with a view to adoption. This report is published in two volumes as follows: Executive summary, recommendations and parts 1 to 4 Volume 2: Parts 5 to 8 Keywords: The objective of the NZ Transport Agency is to undertake its functions in a way that contributes to an affordable, integrated, safe, responsive, and sustainable land transport system.
Bridge design: design loads: commentary (supplement to AS 5100.2:2004)
Each year, the NZ Transport Agency invests a portion of its funds on research that contributes to this objective. While this report is believed to be correct at the time of its preparation, the NZ Transport Agency, and its employees and agents involved in its preparation and publication, cannot accept any liability for its contents or for 51100.2 consequences arising from its use.
People using the contents of the document, whether directly or indirectly, should apply and rely on their own skill and judgement. They should not rely on its contents in isolation from other sources of advice and information.
If necessary, they should seek appropriate legal or other expert sa in relation to their own circumstances, and to the use of this report. The material contained in this report is the output of research and should not be construed in any way as policy adopted by the NZ Transport Agency but may be used in the formulation of future policy.
The new organisation will provide an integrated approach to transport planning, funding and delivery. Acknowledgments The authors would like to acknowledge the contributions made to this project by the peer reviewers: Howard Chapman and Ian Billings, and the project steering group: Volume 1 Executive summary Scope and general principles Matters for resolution before design commences Road barrier performance level 55100.2 method Design loads for medium and special performance barriers Foundations and soil supporting structures Bearings and deck joints To complete this objective, the significant differences and gaps between current design requirements of AS and the Transit NZ Bridge manual 2nd ed and its supporting standards were identified.
The project considered the New Zealand regulatory environment and identified the measures required to enable the use of AS in New Zealand. Each section of the seven parts of AS was compared with the equivalent section of the Bridge aw and its supporting standards. A summary is given below of the main differences between the two design documents and the material needed in terms of supplementary documents to make AS suitable for application to bridge design in New Zealand.
The full extent of 51100.2 material that would need to be harmonised is considerable. See the appropriate sections in the report for a more complete identification of the supplementary material required if AS were adopted.
Following the conclusions given aa, tables E1 to E6 summarise the actions required for the preparation of supplementary documentation necessary to make parts 1, 2, 3, 5 and 6 of AS suitable for adoption in New Zealand. The parts 51002. sections in 55100.2 are referred to below using the numbering in the standard. Scope and general principles Sections 1 and 2: Scope and application The scope and application sections of 5100.2 Referenced documents Additions and some exclusions would need to be made to the AS However, the Bridge manual provides the more appropriate definition of design working life and also treats durability explicitly, which is the preferred approach.
Notation Section 5 of AS Design philosophy Section 6 of AS In view of the philosophical differences between AS Waterways and flood design Section 7 of AS Environmental impact AS Geometric requirements Section 9 of AS Before adopting AS Road traffic barriers AS Collision protection AS Cycle path barriers AS Supplementary documentation would be required to cover requirements for kerbs. Noise barriers AS However, they are not very extensive and it would be necessary to consider whether they are sufficiently comprehensive.
However, the Bridge manual provisions largely complement zs requirements with little duplication and if AS Access for inspection and maintenance AS However, the Bridge manual provisions largely complement these requirements and if AS Matters for resolution before design commences The adoption 55100.2 AS Road barrier performance level selection method Overall, the AS The adoption of AS If the current Bridge manual factors were retained, supplementary documentation would need to be prepared.
Retention of the Bridge manual criteria for performance levels 6 and special would need to be considered. Design loads Section 1: Scope and general Section 1 of AS Referenced documents If AS Definitions Section 3 of AS See comments made for AS Notation Section 4 of AS Dead loads AS This review would need to extend to all other load types to ensure alignment with the safety index adopted by the NZBC and its supporting verification methods and approved documents.
This area is not adequately covered in the Bridge manual.
Road traffic Except at span lengths approaching m, the moving load model M is the dominant design loading specified in AS Adoption of the AS The Bridge manual HN and HO loadings are much simpler and give a satisfactory representation of the traffic load effects on New Zealand bridges. The AS approach of applying reduction factors for multiple lanes loaded to individual lanes is similarly more complicated than the Bridge manual approach, and again the justification for this added complexity is questionable.
A review was recently undertaken of the design traffic live loadings appropriate for use in New Zealand and, as a result, revisions were made. Pedestrian and bicycle-path load The AS Which load specification is more appropriate is not clear and would require a more detailed review if AS Minimum lateral restraint capacity The AS Collision loads AS The Bridge manual provisions for train collision were adopted from the Austroads bridge design code, and so bear some similarity to the AS The Bridge manual covers possible ship impact on bridge piers but this load is not covered in AS Kerb and barrier design loads and other requirements for road traffic bridges AS Dynamic behaviour For road bridges, AS For pedestrian bridges, the AS By comparison, the BS part 2 loading adopted by the Bridge manual, applies a sinusoidally varying load with a peak magnitude of N, which appears more reasonable.
To adopt the AS Earth pressure The AS If the AS Earthquake forces AS Although the AS Forces resulting from water flow The AS Wind loads The Bridge manual adopts the BS part 2 approach which requires consideration of wind acting on adverse and relieving areas, and reduces the design wind speed for wind acting on relieving areas.
Thermal effects The AS For differential temperature, a detailed study is needed to compare the results from applying the AS If AS were adopted, supplementary documentation would be required to incorporate temperature ranges for overall temperature change effects and reference temperature gradients appropriate for New Zealand conditions and for the bridge types used in New Zealand.
Shrinkage, creep and prestress effects While the requirements of AS In addition, a review of the load factors adopted by AS Differential movement of supports The AS Forces from bearings AS Construction forces and effects AS Load combinations AS For the SLS the number of load combinations to be considered precludes the zs of manual methods and would require the use of a computerised process.
For the ULS, the Bridge manual ass a wider range of loads acting concurrently on the structure than do the AS Adoption of the AS load combinations is not recommended.
Sergio and I launched El Corno Emplumado in January Its very first issue included original work by such luminaries as Nicaraguan poet/priest Ernesto. A few of many were: La Cultura en México, Diálogos, El Rehilete, and among them, El Corno Emplumado / The Plumed Horn, edited by Mexican poet, Sergio. In , Sergio Mondragon and Margaret Randall, an expatriate American in Mexico City, founded El Corno Emplumado/The Plumed Horn (“the jazz horn of the.
In I was an aspiring poet and single mother of my first child, Gregory. I was living in New York City, beginning to meet other poets and seriously hone my craft. I had two slim, self-published poetry collections, had appeared in two or three literary journals, and braved my first coffee ekplumado reading. I was also experiencing a political awakening common to many of my age, young people who felt a restless nonconformity stifled by the chill of McCarthyism, even if we had been born too late to be direct victims of that repressive siege.
Only months before, I thought New York, or more accurately its Lower East Side, the only place in the world for a writer to live. I had grown up in New Mexico, and such was my provincialism. The city was dramatically lacking in social services. I was adventurous and believed life in Mexico might be easier.
It turned out to be. I had household help and more flexible hours in a society that was laid back and loved children. Mexico was also politically and culturally illuminating. Living south of the border I learned fast about the relationship between US domination and the dependent nations in its orbit.
The ancient Maya and Aztec sites were still being avidly explored, their secrets only partially unearthed. Forno contemporaneously, Emplumaco Kahlo remained a palpable presence.
Several of the great muralists were still alive and painting. Mexican poets as well as philosophers and writers from other countries were also active.
They had found refuge from the Spanish Civil War, the Nazi occupation of Europe, and other dangerous situations. A lack of good translation had kept those of us in the North from knowing Vallejo, Neruda, Mistral, or Huidobro, and those in the south from reading Whitman, Williams, Pound or H. A few inadequate or shockingly bad translations were available from major publishers.
More often, no translations at all existed. So the need for skillful translation was a big motivator in starting the magazine, although we would soon learn that producing acompletely bilingual publication was beyond emplumad ability or means. Oddly paired words were popular as catchy wmplumado adopted by cultural projects at the time.
El Corno Emplumado / The Plumed Horn: poetry, life and resistance
We sought manuscripts from the most imaginative young poets in several countries. We translated as much of it as we could, or commissioned translations from others. Gradually poets who were not so young, but who rejected the restrictive limits of academia, also sent us their work. We were a great emerging web of word crafters, weaving our individual strands in a communal story that reflected the lives we were living, not those the professors or publishers or critics were trying to convince us were appropriate or safe, or would mark us for success.
Sergio and I walked the streets looking for financial support. After listening to our plans, he reached in his desk drawer, pulled out a thousand-peso note and handed it to us. It would be hard to imagine getting in to see such a high government official here, much less that he or she would be interested in supporting an alternative literary endeavor.
Several questions emerge as I write these lines: What needs did it fulfill? How could two young people Sergio was 26 and I was 25 successfully keep such a journal going without connections to money?
Was our freedom from institutional sponsorship, in fact, one of the things that allowed the magazine to prosper? What percentage of our project was imagination, what part passion, what part hard work? What corjo the connection between our personal relationship and our curatorial decisions? What impact did our diverging views eventually have? How did Sergio and I compliment each other, how did we grow apart, and what did emplumadl arc mean for the journal? Sergio and I were disciplined and serious.
Like clockwork, and against every odd, we produced an issue every three months.
The first had pages, and they soon averaged to These were meant to set the tone. I have always believed this to be a simplistic assumption. Travel has always been important to writers, and on occasion these poets were also writing far from their homes. The following is a fragment:. e,plumado
America five hundred years ago was clouds of birds, miles of bison, endless forests and grass and clear water. As poet I hold the most archaic values on earth.
They go back to the Neolithic: A gas turbine or an electric motor is a finely crafted flint knife in the hand. It is useful and full of wonder, but it is not our whole life. In the reading room, your new first issue. I read it from cover to cover and was delighted with the offering.
Not just one kind of sound. Walter Brunner and John William Corrington were real discoveries for me. You will energize all of Latin America as well.
We must create a movement that renovates, that puts an end to complacency, the idea of a consecrated literature, the rhetoric they have imposed on us, the dogma, the conspiracies of silence. Allen Ginsberg who came to India and stayed with us for about a year introduced us to his fellow Beats. I shall be glad, naturally, if you please send your works translated into English so that we can translate them in our languages and introduce you to a large and interested audience down here.
El Corno Emplumado 17 – Margaret Randall
You know perhaps, people in Cofno speak many languages: In 11 July, Lawrence Ferlinghetti wrote: Much better than any former issue, I think. Especially the drawings by Topor, the Indian primitive poetry, and the Brazilian concretions. Poets shared the emplumaco of their wanderings. Matti Rossi, the Finn who translated the rich selection of Finnish poetry that appeared in 14 April,wrote us often.
In a letter in the issue that included that anthology, he explained that he had learned Spanish in Mexico some years earlier:. I learned to speak. It took me a month. The places I most loved. We often published his poems, drawings and correspondence. These fragments from a letter that appeared in our 24 October, reveal much of what he was about, and are also eerily prophetic:.
Perhaps when I entered here I believed I was, and kept it up for five, ten, fifteen years, even allowed myself to become novice master and tell others what it was all about. I live alone in the woods and have as far as feasible for me copped out of the monastic institution.
El Corno Emplumado / The Plumed Horn – Margaret Randall
Of course that too is delusion. That is why I understand what you feel about Cuba. But unfortunately all the big societies now seem to me to be so built on lies and fake rituals they are really unlivable.
I wonder if we are getting around to one of those times when we ought to be saying goodbye and getting ready for God knows what, the bombs, the camps, another round of the same. For the US, if it is not nuclear war that lies ahead then it is some form of fascist violence I think. So did the appreciation for what we were doing. In 28 October,Walter Lowenfels wrote:. We are surrounded by barrages of what to do to stay young.
But the problem nobody seems to write about, or teach us about, is how to grow old, how to wage daily battles against nostalgia.
El Corno Emplumado / The Plumed Horn
Many letters gave news of deeply rooted struggles for justice. It was very good to see your issue 23 with the work of Cuban poets. How much light pours through when someone does make a hole in the blockade-blackout. Things have been happening here: Our letter section was also a place where poets could express opposing views and defend ideas about art and society. These ideas were sometimes in conflict, and we encouraged these disagreements put forth by one or another.
I am disturbed by the increasing instance of political insistence. I know these pressures exist, and certainly I feel as strongly as any about Viet Nam or the incredible USA Machine, but [politics] has absolutely no place in poetry or art of any kind, no didactic cant does. Enslin interpreted all fl with political issues as cant. British-American Denise Levertov was eloquent in ell response. The consistent use of the male pronoun, even by such a strong female poet as Levertov, was standard at the time.
Process was always important to us: I do so because we were the driving and sustaining forces behind the magazine. Harvey Wolin was with us our first two issues, but withdrew right after they came out.
Robert Cohen had a longer and more influential tenure at empplumado end, helping me edit the last three issues. From time cirno time we had editorial assistants, poets and artists who volunteered to help out and did so for a few months.
But the initiative, glory, and weaknesses rightfully belong to Sergio and to me. Our cultural histories, personally as well as those of our respective countries, could not have been more different. I came, as I say, from a nation rife with Cold War bias.
JBL PRX 15 in. Two-Way Self-Powered Sound Reinforcement System W continuous. The 2-way 15″; the most recognizable form of portable PA. Someone has 2 JBL PRX speakers with covers for $ I’m not familiar with this particular model, and since it’s discontinued, there’s not a. JBL’s PRX 15″ 2-Way Self Powered Speaker/Monitor is an integral part of the PRX series. It provides a perfect balance between size and performance.
Log in or Sign up. The Gear Page is run by musicians for musicians. We’ve added some “new” guys to the moderator crew. All are longtime members that stepped up to the invite to help out by volunteering their time and effort to help the membership experience on TGP stay on the prx51 keel. A special thank you to the ‘new’ guys that helping out. Jun 13, 1. My Country band is looking for some FOH powered speakers.
I’ve been watching Craigslist for a while, but there’s not a lot for sale. I’m not familiar with this particular model, and since it’s discontinued, there’s not a lot of info out there. We’re really just looking for a set of speakers that we can use for a year or so while we continue to save for a really nice pair of FOH speakers probably Meyers.
We’d like to buy a pair to use and then sell them for nearly what we paid when we’re ready to trade up. Any opinions on these JBL speakers? Jun 14, 2. They have been discontinued for a while. I had some s and still have a pair of PRXs that my band uses. The problem is you could spend a little more and get some new speakers that sound as good or better. Powered speaker technology has come a long way in the past 10 years and there are a lot more choices now.
Jun 14, 3. I have 4 PRX m that I use for floor wedges. They do a nice enough job. Are they still better than powered Altos or Behringers? I’d go meet the guy make sure you have a way to plug them in, or agree to meet him at your place etc.
They are pretty lightweight which is nice. There are a lot of really good choices in between. Jun 14, 4. Don’t fall for the Craigslist crazies. The local Craigslist is an absolute joke for stuff like this. People who haven’t been into a music store for a decade asking new prices for stuff that is OLD. Take a look at some of the current offerings.
You can get brand new powered speakers that are probably better for same or similar price. MoxsamJun 14, Jun 14, 5.
What new speakers are you guys talking about that are at a similar price point because I’d like to check them out. Yer BluesJun 14, Jun jbll, 6.
JBL PRX515 opinions???
They are pretty decent boxes. If they are in good shape and you could get em closer to 6, it would be a good deal. You should be able to get your money back in a few years at that price.
Jun 14, rpx515. Jun 14, 8. Jun 14, 9. Jun 14, pfx515 They’re third gen at least ago for the PRX line. I had them and liked them but replaced them with PRXs and think they sound cleaner and are lighter. What are you going to do then. Plus warranty service can be hard to obtain, and can take weeks to get fixed. They are a coupe mbl ago. I have 4 of them. They are nice and light. In defense of the craigslist thing. I have gotten many really good deals from CL.
But the key is jbp exactly what you are looking at. IF it is something electronic. And be willing to negotiate. I have very nice gear, and I always jbp an extra powered speaker that could serve as a floor wedge, Keyboard monitor, bass pfx515 or even main if in a pinch. Thanks for all of the replies. I didn’t know that these were possibly a decade old. They look to be in good shape. He says that he’s firm on the price I might let them sit a while to see if he comes off of that “price is firm” thing.
I do know that there’s a lot of gear between pr5x15 I’m looking at now and the Meyers. We’re just looking for some decent speakers to use for now while we save for the Meyers.
I don’t know of anything that is significantly cheaper that sounds as good as the Meyers. Thanks again for your help. Jun 15, Personally I’d stay away. A friend has a pair and they’ve been repaired several times. Issues with thermal overload and this was inside in ac. He was also having issues with the hf diver.
JBL Prx 2-way 15″ Speaker Amps Only | eBay
I love jbl but would only go with the series or better. Have cooling fans and are very solid. Browse guitar center’s used bjl. At least you’d have a 30 day return policy. Jun 16, You can buy current day stuff for a little more used or new. Yamaha DBR series are as good if not better and still have a 7 yr warranty. They are old and probably on their last leg given the years those caps on the PS have been on there.
Many of the failures for powered speakers are switching supply failures due to dried out electrolytic caps, thermal breakdowns, solder breakdowns and fracture from transport and natural internal vibration.
Some of these repairs the caps, power resistors just fall out. Don’t worry about the warranty svc center stuff either for QSC Yam. Many places repair them, but there are not that many coming in for repairs. Great track record thus far. When it comes to powered speakers, regardless of brand you buy, if they fail you are out a speaker until you get it fixed.
There are no DIY fixes for them and most are now board replacement type repairs so turnaround time is fairly quick. Same issue with anything. Always have a backup.
One guy recently swore by his Mackie digital mixer until it just would not boot at a gig. He blamed the gear for the gig loss. I always carry an extra medium sized powered speaker that could be used as a floor monitor, or that I could at least limp by with it on one side as a main speaker, that way I have a spare Main speaker, a spare monitor speaker, a spare keyboard monitor, an acoustic guitar amp.
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Interactive analyses of Bach fugues with complete scores synchronized with digital sound and hyperlinked commentary. Check out J.S. Bach: Prelude and Fugue in C (WTK, Book I, No.1), BWV – Fugue by Friedrich Gulda on Amazon Music. Stream ad-free or purchase CD’s and. Check out J.S. Bach: Prelude and Fugue in F (WTK, Book II, No), BWV by András Schiff on Amazon Music. Stream ad-free or purchase CD’s and MP3s.
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Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian)
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I’ve known Coach Bill Sweetenham for a long time. He’s been one of the strongest and most positive influences on my life and he continues to. Bill Sweetenham has reached the pinnacle of his profession as one of the world’s top swimming coaches whose expertise has helped hopefuls. Tales of torture – but Bill Sweetenham is the father figure who moulded Hong Kong’s Robyn Lamsam as a swimmer and a person.
He was a terrible taskmaster and there are stories aplenty of pure torture — but Robyn Lamsam would not have had it any other way with her former coach and still father figure Bill Sweetenham. There was no way Lamsam was going to miss his big moment.
Sweetenham who also coached in the United Kingdom and Australia and produced multiple Olympic champions, said he never expected to see Lamsam at the ceremony. Both Robyn and my daughter Karen had children at exactly the same age.
Bill Sweetenham’s Faster Swimming Tips
I really appreciate Robyn for making the visit. He flipped everything on its lid and I think that made a huge positive impact on Hong Kong swimming.
Skip to main content. Hong Kong Sports Institute. Monday, 21 May,6: Monday, 21 May, Related topics Hong Kong Sports Institute. Watch Bill Sweetenham tell his amazing story.
Bill Sweetenham’s Faster Swimming Tips | ZwemZa
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About Bill Sweetenham – Sweetenham Performance Consulting
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